Johannes Kepler
1630 - Regensburg
In a hired room with unpaid wages and fever returning, the astronomer who mapped the heavens reflects on the distance between truth and recognition.
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1621 to 1711 opens onto 4 lives, 4 place stories, and the wider chronology.
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1630 - Regensburg
In a hired room with unpaid wages and fever returning, the astronomer who mapped the heavens reflects on the distance between truth and recognition.
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1638 - Arcetri
Nearly blind and confined at Arcetri, the father of modern science writes what the Inquisition forbade him from saying aloud.
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1669 - Amsterdam
I am sixty-three years old.
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1675 - Delft
I have not lost the work.
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Places inside this time
In 1621 to 1711, use the same years to move from chronology into cities, courts, islands, and regions that already carry deeper context.
Alive in this timeline around 1630 / story span 17th century
Connected to 1 life including Johannes Kepler.
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Alive in this timeline around 1638 / story span 1638
Connected to 1 life including Galileo Galilei.
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1621 CE to 1711 CE
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4 place stories are visible in this time window.
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1630 - Regensburg
Place story available
In a hired room with unpaid wages and fever returning, the astronomer who mapped the heavens reflects on the distance between truth and recognition.
Alive in this timeline around 1669 / story span 17th century
Connected to 1 life including Rembrandt.
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1621 to 1711 across the atlas
1630 - Regensburg
1638 - Arcetri
1669 - Amsterdam
1675 - Delft
Decades
1638 - Arcetri
Place story available
Nearly blind and confined at Arcetri, the father of modern science writes what the Inquisition forbade him from saying aloud.
1669 - Amsterdam
Place story available
I am sixty-three years old.
1675 - Delft
Place story available
I have not lost the work.
A contrasting life shaped by art and creation.
I am thirty-seven years old and the mornings here in Auvers open like pale wounds that at once become doors, the white of the sky before sunrise so thin it is almost not there, and then suddenly all the wheat, the roofs, the paths, the cypresses farther off, the church tower, the chalk of the roads, even the black crows when they rise late and violently as if shaken out of the fields by some hand under the earth, all of it begins to burn without flame and then there is only one possible answer to that kind of light, which is work, work at once, work before the pressure changes its colour, before the afternoon comes with its pushing, with the inward crowding that is not merely in the head but in the whole air around the head, as if the day itself had leaned too close.
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